Showing posts with label online. Show all posts
Showing posts with label online. Show all posts

Saturday, September 7, 2013

Photography - Finding the Sweet Spot (of focus)

I'm going to use a photograph that is a much larger scale than product photography typically is, in order to better illustrate where the focal point falls in an image.





In the first photo, the majority of the picture is out of focus, but near the middle there is a crisp area of pavement that catches the eye. The second photo has been cropped so that the focused area is closer to the bottom of the frame, which feels more natural to the eye than having out of focus area at the bottom.

This is because our eyes find it natural that the closest part of the picture is in focus, but when the bottom of the frame is out of focus, our eyes attempt to bring that area into focus when we look at it. It can actually cause physical discomfort.

When you are taking photos of small items using a macro setting on your camera, you want the leading edge of the object to be in that crisply focused area. Here is an example:



Here is the photo before cropping, with a line indicating where the focus zone falls:



When cropping your photos of small objects, it is best to have that focus zone on the bottom 1/3 line. This is a concept of photography, where the visual frame is divided in thirds horizontally and in thirds vertically. In framing a photo, the guideline is to have the primary subject on one of the lines delineating the thirds of the photo. Here is the image again, with an overlay grid showing the horizontal and vertical thirds:



Notice that the focal line which was marked earlier is now lined up with the bottom 1/3 line, and the left most area of the product is approximately over the left 1/3 line. When cropping, the crop would follow the outer edges of the grid, so that the thirds remain lined up as they are.



That leaves you with a photo cropped so that the focal line is in a very comfortable and natural spot, which draws the eye (and the viewer) in!

Monday, August 19, 2013

Photography - Reaching Nirvana



And of course, by Nirvana, I mean a white background in photos.  Neither is easy, though I dare say getting a white background is easier than reaching Nirvana.   Maybe, I can make the white background thing a little bit easier.  That way we can all put our energy into finding Nirvana. LOL

So the first place you want to start is to mess around with settings on your camera.  Fortunately, even among point-and-shoots like mine (Canon Power Shot SX110 IS), those settings are fairly standardized.  Some cameras may not have some of these, if you're not sure about yours check out the manual.  (or search for tutorials online for your specific camera and it's features, which will probably be clearer)

The setting I've used in the past was Indoor.  I'd set it to macro, maybe bump up the light balance a bit and take dozens of pictures.  Then, I'd go into my photo editing software to clean it up, and find that the backgrounds weren't quite so pretty and white as they looked on the camera screen.  I've been doing this for years, and somehow I still forget on occasion that my camera screen is a little overly bright.  Anyway, in using the software to edit, I would hit a point where I could either get a nice white background -or- I could have the colors actually look like the thing I had photographed.  Not a fun choice!

                                          Way too much magenta!  Ewww.

So, I decided to try the Program setting on my camera, and change the white balance setting to Tungsten.  This is because I use regular non-fluorescent bulbs, which have a yellow/orange cast.  Also known as warm white!  Lovely in rooms, not so much in photos.

                                          Too much blue, not enough green.

This setting produced an improved color temperature over the indoor setting, so I shut off the lights on my lightbox and was about to upload the pictures...

And then it occurred to me that perhaps I should try shooting without my lights on at all.  It's pretty bright here in Phoenix, and the open side of my lightbox faces 1/2 a wall of glass, so it was worth a shot.

                                          Pretty close to aaahhh-mazing!


Bingo.  The color temperature looked considerably more neutral on Indoor with the lights off than it did on program with the lights on.  So, I cranked up my light balance (the +/- button) to +1.5 and...


Bam!

                                         There it is!

All I had to do at that point was up the contrast a bit to get that perfect white, and use a big white paintbrush to remove the darker areas around the edges of the picture, to arrive at the final image:

                                                      I dream about pictures like this.

So there you have it... a brilliant white background and all I had to do was turn off the stinking lights.  Who'da thunk it?  Okay probably everyone else but every now and then I'm not as bright as I pretend to be ;)

So, here are all of the pics side by side so you can see the startling differences!



Hope this helps!!


Next installment will be about ... WHY IS THERE GLITTER IN MY ICED TEA?  Oh, sorry.  Noticed some glitter in mah tea.  Risk of that craft that I do.  Anyway,

We'll be talking about macros and cropping.  Or, "How to make the focal point feel like it is at a natural place in the photo so the viewer's eyes don't go buggy"  It matters more than it seems like it should!

<3
Amber

Tuesday, October 25, 2011

Pricing

Pricing is often a huge question among crafters.  Many of us get stuck because we feel that what we have made was easy for us to make, so we can be shy or even feel guilty asking appropriate prices for our work.

I was thinking about this recently and came to an important realization.  I can go to just about any store and find jewelry that was likely made in China for prices such as $20 /earrings and $40 / necklace, and those pieces are not only cheaply made and imported but were created en masse and will be worn by thousands, if not millions.

Then you have those who create handmade work but will create a limited or unlimited number of the same design, so while that design is handmade and unique to that artist, there are still anywhere from a dozen to a few hundred of the same item out there.

And finally, you have the artist who creates just one of any of their designs, so that one piece stands alone, and cannot be sold to multiple customers.

These are important factors to think about when pricing handmade goods.  I am sure that a particular pair of earrings I created and priced at $50 could have a imitation mass produced and offered at Claire's for all of $7.00.  The mass produced earrings wouldn't take as long, as much care, or as much detail as the earrings I had made, but they would have a similar look. 

What it really boils down to is who you want to sell your jewelry to.  If it is anyone and everyone, and as many pieces as possible, then your best bet is to set competitive prices with what people can find at the mall.

If you want to sell to someone, who like me, believes that special handmade pieces have a life and soul all their own, perpetuated by the love of those who make them and those who buy them, then what you make will be worthy of more than any department store piece could hope to achieve.


A matter of perception comes into play in the pricing of jewelry (or any handmade items) as well. 

Your perception has a huge impact on the customer's perception.  For example:

If you use the cheapest materials you can find, do fine handwork in making your items, then present, display, price and sell them for relatively low prices, your customer will view your items as worth what you are asking.  In other words, you'll cheapen them.  This not only makes each piece worth less but also gives the impression that they are less desirable.

People do not think to themselves that they'd like to save up for a $20 item that is presented as if it belongs in a yard sale.

On the other hand, if you select quality materials for your work, present it in a professional manner (but still warm, fun or quirky, we are artists after all!), and ask a price that genuinely reflects the time, love and thought put into your item as well as the rarity of it, this will be conveyed to the public.  They will see your work as something special, something that has a value beyond its materials because of what went into it and the artistic mind behind its creation.  Then people are no longer buying a simple object but instead are connecting with another human being by taking something created by one hands and passing on the message it carries by themselves wearing it, allowing for further connections with everyone who sees and admires the piece. 

If you present yourself in the right manner, potential customers will instinctively know that they aren't just buying a piece of jewelry but are in fact investing in the vision of an artist.

This is all food for thought and there is no single pricing scheme that works for every person or every craft.  It is many factors woven together that equal the value of your work in the eye of the public. 


I happen to be the jewelry designer who makes the bulk of my designs only once.  For me it is because my ideas for jewelry are just like my ideas for paintings - once it is created, it is out of my mind and I often couldn't force myself to make the same thing again.  Not only that, many of my jewelry designs are not repeatable, because I allow flow and randomness to dictate aspects of the design.  In my case, attempting to competitively price my jewelry against a manufacturer would make absolutely no sense at all. 


Here is a list of factors that can cause consumers to view your work as worth more than average prices or less than average prices.  This isn't to say that everyone agrees, but in general these factors have an impact on perceived value.

-Are your items handmade?   Yes - higher     No - lower
-Are your items one of a kind?  Yes - higher     No - lower
-Do you use semi precious stones and metals?  Yes - higher    No - lower
-Are your photographs or displays professional looking?   Yes - higher    No - lower
-Do your designs tend to follow current market trends?  Yes - lower   No - higher
-When you search handmade jewelry on Etsy, are there many other items of a similar style / technique to yours?    Yes - lower    No - higher
-When you search similar handmade items, does it appear most use higher quality materials?  Yes - lower   No - higher
-Do retail stores offer jewelry which in the eyes of a customer is comparable in design / overall style?  Yes - lower   No - higher

Do you believe in yourself and your artistic vision?  Chances are if the answer is yes, you're already charging prices comparable to what you put into creating your jewelry.  If not, you're likely underselling yourself.

Also, keep in mind that every designer makes some pieces that have more intrinsic value than others.  I make dozens of earrings that are pretty basic assemblage - albeit with my unique perspective on color combinations and shapes and styles of beads.  I sell these for much less than my sculptural necklaces that are one of a kind because of factors in the above list.  It is good to have a range of prices, but also to try to keep the bulk of your stock near the middle of that price range.  Often, people subconsciously select items that fall about halfway between your most expensive and least expensive pieces.